It is hard to claim too much for a
man who in every way revolutionized modern poetry, American folk music, popular
music and the whole of modern-day thought; even the strong-artists have the
power to actually change our lives, but surely Dylan does-and has. Such was the words used in describing Bob
Dylan. Try guessing who you can attribute these qualities to among Ghanaian
artists.
Following the foot steps of Dylan
your mind is tune to the qualities and inspiration themes of his music. Bob Dylan has been called a prophet, a poet,
a genius, and a Christ at various times in his career. He has been seen as an
angry young rebel, a bitter, lashing oracle of the impending doomsday, a
self-satisfied artist expounding the joys of salvation, and finally a true
messiah leading us into the new consciousness. In short, Bob Dylan has been a
powerful force on the social and political conscience of an entire generation.
I know by now you would be fighting
with your thought to know the Ghanaian equivalent of Bob Dylan. The answer will
elude even the most elucidated Ghanaian music journalist. Considering the fact
that in the late summer of 1967, 200,000 young people from both sides of the
Atlantic gathered on the Isle of Wight in the English
Channel to pay tribute to a man they had long followed. The crowd
waited in poor facilities through two days of preliminary concerts and adverse
weather conditions, making clear their commitment to the performer they had
come to see. Though the performance lasted less than an hour and was three
hours late, the huge audience was wild with enthusiasm, caught willingly in the
magic of the words and sounds of this prophet they had oftened turned to.
In the quest to find out the
Ghanaian Bob Dylan, where can one turned for clues. Turning the Ghanaian
history pages of music we find the likes of Osibisa, Ephrim Amo, and Philp
Gbgeho among others. But turning the contemporary pages of music you can hardly
come up with a name.
When an old man sitting in his chair
remarks that youth of today aren’t listing to better music, it is because he
has listen to the likes of Bob Dylan. He knows how it fired and inspired their
generation.
If we are to thump our chest and say
the old man is wrong as Ghanaians, we better be ready to come up with name of a musician who has rally
the youth and gave them hope, change the
course of music and history, served as the light of a civil movement and voice
of the oppressed. Only then can we say
the old man was wrong. Guess who the
Ghanaian Bob Dylan is? I am still searching, maybe you know.
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