We have a ministry clueless of the film
industry. Emptying the natural and cultural resources of the nation are the
honourable politicians under the guise of safeguarding. Mother Ghana’s honourable
politicians aren’t building industries but weakening existing ones to acquire
them- mother Ghana is crying.
The Ghana film industry stakeholders, busy
they are making comic and romantic films. Proudly we the spectators watch, as
such films fulfil our fantasies offering us escapism from the economic
malaise.
The film industry produce not films to
celebrate national heroes, neither films to inspire a generation nor films to
caution political leadership- mother Ghana is crying.
Mother Ghana’s leader who understood films
and had the film industry at heart was Osagyefo Kwame Nkrumah. Had Osagyefo
film industry laid down vision been followed, Ghana would have today proudly
called itself as Hollywood of Africa.
Into pieces was Nkrumah’s vision for films
hacked and sold off under a beautiful word called Divestiture. The least
understood phase of that vision was left under the sun to suffer and die a
natural death. Where is Gama Films? It dead and buried, visit TV3 to see Gama
Films tombstone- mother Ghana is crying.
Today’s political leadership cruise in town
amidst sirens, smiles and sound: they are the saints and sinless, elected to
rule whiles the film industry bleeds- Lord’s mercy on my soul- mother Ghana is
crying.
Film making is tedious but profitable in
the medium and long term. The structure of film industry, bad policies, film
bill waiting in the wings, together creates challenging terrain for film
makers, actors, distributors and producers. No film maker wants to make a film
to incur the wrath of political leadership on the already struggling film
industry- mother Ghana is crying.
The power of films, political leadership is
unaware. Political leadership see films from the narrow perspective of
propaganda and nothing else.
The power of films can be realised when
political leadership train and run seminar on national vision for filmmakers
and screenwriters. The outcome is subsequently reflected in films produced in a
particular year. Today’s political leadership is only interested in percentage
share.
Currently Ghana film industry is doing it
possible best, waiting for a political leadership to wake up and offer her the
needed support to make Ghana films international- the film sector weeps. Until
that leadership emerges, who will console mother Ghana’s? She is crying.
Sharparrows
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